Brisbane’s Lyric Theatre at QPAC was filled with electricity on the opening night of Wicked, and the moment the curtain call began, the audience erupted into an instant standing ovation. This beloved musical, with over 20 years of success on Broadway, has returned to Australian stages after a decade, rekindling its magic for a new generation. With a vibrant young cast, this production is as fresh as ever, enchanting seasoned fans and newcomers alike.
Leading the cast with irresistible charm, Queenslander Courtney Monsma shines as Glinda the Good Witch. Her portrayal is a masterclass in comedic timing, particularly during her iconic performance of “Popular”, where her energy and unique take had the audience in stitches. Monsma brings genuine emotional depth to the role, making her transformation from bubbly socialite to heartbroken friend all the more poignant. Her chemistry with Sheridan Adams’ Elphaba is electric, and her raw vulnerability in “Thank Goodness” and “I’m Not That Girl (Reprise)” is nothing short of heart-wrenching. Monsma’s Glinda steals the show, seamlessly blending comedy and tragedy in a performance that lingers long after the final bow.
In her first leading role, Sheridan Adams takes on the challenge of playing the iconic Elphaba with passion and fire. Her powerhouse rendition of “Defying Gravity” was the evening’s standout moment, leaving the Brisbane audience in awe. Adams brings a captivating intensity to Elphaba, especially in her darker moments during “No Good Deed,” where she fully embodies the misunderstood and maligned character. Her portrayal beautifully highlights Elphaba’s struggle to defy society’s judgments, delivering a nuanced and compelling performance that complements Monsma’s Glinda.
Ainsley Melham effortlessly charms as Fiyero, the dashing love interest caught in Wicked’s famous love triangle. From his entrance in “Dancing Through Life,” Melham brings the perfect blend of swagger and sensitivity to the role. His chemistry with both leading ladies, especially in the sultry “As Long As You’re Mine,” adds an extra layer of emotional depth to the story.
Robyn Nevin’s Madam Morrible, on the other hand, is a force to be reckoned with. Nevin’s menacing presence, coupled with her mastery of delivery, adds a terrifying depth to the headmistress, especially in key moments like her declaration of “this repulsion, this wicked witch.” Her rapport with Todd McKenney’s mischievous Wizard of Oz creates a deliciously devious dynamic that lights up the stage. Todd McKenney brings his characteristic charm to the role of the Wizard, embodying the deceptive character with humor and warmth in his rendition of “Wonderful.”
Adam Murphy’s portrayal of Dr. Dillamond, the token goat of the production if you will, is both lively and poignant, drawing a thoughtful parallel to the marginalisation of groups in society. His bleating echoes serve as a reminder of how Wicked holds a mirror to the real world.
Shewit Belay’s portrayal of Nessarose, Elphaba’s tragically beautiful sister, was emotionally charged, bringing heartache and beautiful sensitivity to her performance of the underrated song, “The Wicked Witch of the East.” Kurtis Papadinis as Boq delivers humor and pathos, keeping the audience engaged with his determined yet unrequited love for Glinda and his complicated relationship with Nessarose.
The ensemble deserves high praise for their precise choreography, soulful singing, and the passion they bring to every scene, especially in crowd-pleasers like “One Short Day,” “What Is This Feeling,” “March of the Witch Hunters”, and the mesmerising, “Dancing Through Life.” Their attention to detail, from individual backstories to larger-than-life group numbers, enhances the entire experience. A big thank you to Elphaba standby, Zoe Coppinger, and all the swings and understudies, whose hard work and tenacity ensure that every performance of Wicked is seamless and spectacular.
The radiant orchestra, playing for the full 2.5 hours, masterfully brings Wicked’s iconic music to life. Their performance, under the musical direction of David Young, adds the emotional and dynamic depth that has defined the show’s legacy. The creative team doesn’t waver with their undeniable talent, especially regarding the lavish costumes, sets, lighting, sound, wigs and make-up that makes the show the spectacle it is.
Brisbane’s production of Wicked is a must-see, running at the Lyric Theatre, QPAC until 24 November. Whether you’re a long-time fan or new to the world of Oz, this production is a spellbinding triumph that will leave you utterly enchanted.
TICKETS
Now playing at Lyric Theatre, QPAC until 24 November
All images by The Fame Reporter.
The Fame Reporter 