Millennial Productions’ Presents The Uproarious Black Comedy ‘Young Frankenstein’ – Thrilling Brisbane Audiences



Millennial Productions has brought the uproarious black comedy of Mel Brooks’ ‘Young Frankenstein’ to life at the Ron Hurley Theatre in Seven Hills, Brisbane, and it’s an absolute delight for theatregoers. This side-splitting production, playing from 5 to 13 April, is a must-see for anyone in search of a joyous night of laughter and entertainment.

From the moment the curtain rises, the audience is whisked away into the zany world of Transylvania, where the eccentric characters and hilarious antics never cease to amuse.


Zach Price excels as the titular character, Frederick Frankenstein, delivering a performance filled with wit and charm. His chemistry with Damien Quick’s Igor creates a buddy comedy dynamic that is a joy to watch and undeniable chemistry with Amelie Clarke’s Inga is enticing.


Emily Rohweder shines as the Frankenstein castle housekeeper, Frau Blucher. Her delivery of the iconic “Don’t give a Shhiiieet” shimmy highlights her impeccable comedic timing. A complete and utter standout performer in this production with her subtle nuanced facials and brilliant one-liners, even when she is not the main focus of the scene, she still drew the viewer in. Her rendition of the ‘He Vas my boyfriend’ song is pure comedy gold, eliciting uproarious laughter from the audience.


Damien Quick’s portrayal of Igor is equally brilliant, with his witty references, particularly ‘Hello Dolly’ and his hunchbacked antics. The scene where he drops the brain is a comedic highlight that had the audience in stitches. Quick’s performance adds a layer of charm and hilarity to the production that is truly unforgettable.


Amelie Clarke brings a breath of fresh air to the stage as Inga, the yodelling Bavarian scientific assistant to Frederick Frankenstein. Her performance of the ‘Roll in the Hay’ song is a comedic gem that adds to the overall hilarity of the show, and her voice is angelic throughout the show.


Dale Shearman’s portrayal of the Monster is a masterclass in physical comedy, with his emotive performance and amazing detailed makeup capturing the essence of the iconic character. The moment when the Monster comes to life, with flashing slow-motion lighting, is a true theatrical spectacle. His big theatre moment towards the conclusion of the show, ‘Puttin’ on the Ritz’ is so upbeat and delightful coupled with the amazing father/son chemistry with his creator, Frederick Frankenstein.


Samantha Sherrin as Frederick’s Fiancé, Elizabeth Benning from New York City brings the Broadway pizazz to the piece, especially during the hilarity of the song, ‘Please don’t touch me’. In this number, the characters all dance with their partners but never actually touch, and it is amusing to witness.


Oliver Catton glows in the roles of Inspector Kemp and the Hermit, delivering standout performances in his respective roles with delightful physical comedy illustrated to the lively local audience.

The ensemble members play the science students at the beginning of the show and the German villagers throughout the remainder of the production. The audience interaction in the seats before and in the middle of the show is joyous. However, perhaps it is not essential for the story. The gorgeous performers bring Bavarian comedic one-liners combined with the wonderful dance numbers that they put their heart and soul into, especially ‘Puttin’ on the Ritz’ with the wonderful tap section.


The direction by Taylor Andrews, with assistance by Caleb Holman, enhances the slapstick comedy with precision timing and creative flair. Jaime O’Donoghue’s choreography is well-suited to the period of the 1930s and adds an extra layer of entertainment to the show.

The music, under the direction of Kaitlin Evans, with assistance by Rae Rose, is enticing, catchy, and comedic, perfectly complementing the on-stage antics and adding to the overall enjoyment of the production.

Millennial Productions’ ‘Young Frankenstein’ is a hilarious local production that is not to be missed. With only a limited run from 5 to 13 April at the Ron Hurley Theatre in Seven Hills, Brisbane, be sure to grab your tickets for a night of laughter and pure entertainment. This production captures the spirit of Mel Brooks’ classic comedy with a fresh and lively twist that will leave you smiling from ear to ear.


TICKETS
Now playing at Ron Hurley Theatre, Seven Hills

All images supplied.