The Little Red Company transformed The Tivoli in Fortitude Valley into a sequin-studded sanctuary for Swifties across generations. From the moment the lights dimmed and the band launched into the unmistakable opening riffs of “Cruel Summer,” during Taylor Made: The Ultimate Swiftie Singalog, the crowd was swept into an electrifying ride through Taylor Swift’s 20-year musical eras — from Debut through Midnights and beyond. Lyrics projected large onstage made it impossible not to sing along with full-throated enthusiasm.
The energy? Infectious. The vibe? Friendly and deeply communal. It was not so much a show as a shared experience in two hours of joy, heartbreak, revenge, and release.
Each performer took the audience on a mini “Eras Tour,” channeling the distinct feel of Taylor’s evolving chapters:
Chelsea Dawson, a powerhouse voice with impeccable emotional range, Chelsea commanded the Lover and The Tortured Poets Department segment. “Who’s afraid of Little Old Me” landed with live-wire intensity, while her rendition of “Lover” had fans enchanted like it was their first dance. She brought theatre-calibre drama to every note.
Irena Lysiuk, charming with heart and sparkle, Irena guided us through the 1989 and Fearless eras. Her vibrant delivery of “Shake It Off” had the crowd dancing, and her hopeful take on “Fearless” captured the era’s nicest perfectly, as the crowd held their hands up with hearts like the long-standing tradition Taylor famously participates in. She also shared a touching onstage moment with a rising star.
Lorinda May Merrypor star of & Juliet and already a rising icon, Lorinda owned the Red and Reputation block. Her power in “Look what you made me do” and hair down fun-loving “22” moment was incredible. She radiated authenticity and pop-princess ease, creating some of the most moving moments of the night.
Alisha Todd performed Midnights‘ hits and delivered a soaring “Anti‑Hero” and explosive “Bejeweled” finale that brought the house down. Her stage presence was electric—equal parts star and storyteller, especially in ‘Champagne Problems.’
One of the most heartwarming highlights came courtesy of 14-year-old Eadie Peterson, winner of the Superstar Swiftie competition. Despite her age, Eadie held the stage like a seasoned performer, delivering a stunning solo version of “Long Live” that had the entire Tivoli swaying and tearing up.
Later, she joined Irena Lysiuk for a beautiful duet of “Our Song”, blending youthful charm with pitch-perfect harmonies. The moment captured exactly what Taylor Made is all about — celebrating talent, community, and the power of Taylor Swift’s music to connect across generations.
With stellar arrangements and tight, punchy band backing, the show was polished yet raw with fun. Lyrics were crystal-clear, visuals bold and glitter-filled, and the pacing spot-on—no dead moments, just swift transitions across eras.
Brisbane’s crowd was a sea of friendship bracelets, glitter, high‑waisted denim, and emotion. From younger teenagers to longtime fans in their 30s and 40s, the communal volume rose and fell in perfect harmony—especially during the extended “All Too Well (10‑minute version)” singalong moment.
The on-stage medley journey through all of Taylor’s eras felt lovingly curated. Moments of genuine emotional connection, notably during Folklore and Evermore. The surprise appearance of Eadie Peterson, a reminder of Taylor’s multigenerational reach.
Taylor Made succeeded not just as a tribute concert, but as a theatrical celebration of community, nostalgia, and raw pop joy. Whether you were Team Debut or locking arms with fellow Midnights devotees, this was your night. With performers like Chelsea, Irena, Lorinda, Alisha — and rising star Eadie — each bringing their own interpretive magic to Taylor’s discography, the show delivered a heartfelt and fun mini‑Eras tour in two unforgettable hours.
If you missed it in Brisbane, keep an eye out — The Little Red Company is known for touring their productions, and Swifties across the country deserve this kind of magic.
All images Supplied.
The Fame Reporter 