Opening night of Annie at QPAC was a triumphant celebration of heart, hope and timeless musical theatre storytelling. Returning to Brisbane for the first time in over a decade, this production radiates warmth and polish, reaffirming why Annie continues to captivate audiences of all ages. From its spirited opening moments to its jubilant finale, the show delivered both nostalgia and emotional connection, inspiring the next generation of theatre lovers.
At the heart of the story, Isabella Hayden as Annie delivers a performance brimming with optimism, warmth and emotional honesty. Hayden balances youthful spirit with remarkable depth, bringing sincerity and natural charisma to this iconic role. Her confident vocals and heartfelt acting draw the audience into Annie’s world, making her journey deeply engaging from start to finish.
Anthony Warlow’s return as Oliver “Daddy” Warbucks anchors the production with authority and heart. Warlow brings gravitas, vocal power and emotional nuance to the role, expertly charting Warbucks’ transformation from guarded tycoon to devoted father figure. His commanding presence fills the theatre, yet it is the quieter moments — particularly his softened exchanges with Annie — that resonate most deeply.
Debora Krizak as Miss Hannigan is gloriously wicked, delivering a performance rich in physical comedy, sharp timing and expressive vocals. Krizak balances cartoonish humour with flashes of vulnerability, creating a Hannigan who is both hilarious and heartbreakingly human.
Mackenzie Dunn as Lily St. Regis sparkles with glamour and comedic flair, while Keanu Gonzalez’s Rooster Hannigan oozes slick charm and playful menace. Their chemistry crackles, elevating every shared scene.
Amanda Lea LaVergne as Grace Farrell offers warmth and grounded elegance, acting as the emotional bridge between Annie and Warbucks with compassion and quiet strength.
Greg Page brings a dignified warmth to President Franklin D. Roosevelt, infusing the role with gentle authority, sincerity and a reassuring presence that anchors the White House scenes with emotional weight. Meanwhile, Nikita Clarke is a true standout as The Star-to-Be, radiating youthful confidence, vocal sparkle and undeniable stage presence, leaving a strong impression.
The adult ensemble supports the narrative with vibrant energy, crisp harmonies and polished movement, ensuring every scene feels alive and purposeful. The choreography is sharp and dynamic, the staging fluid and engaging, and the overall production slick without losing its sense of joy.
The orphan ensemble is an undeniable highlight of the production, showcasing tight choreography, expressive characterisation and infectious energy throughout. Aenorah Wallace (Duffy) brings cheeky bravado and comic edge, while Kensi Simpson’s Pepper bursts with fearless confidence and attitude. Claire Taylor (July) offers playful warmth, and Sienna Hannant (Tessie) captures youthful vulnerability with touching sincerity. Macy Salvana as Molly is utterly delightful — wide-eyed, earnest and a consistent audience favourite. Emily Birch (Friday) and Aubrie Wildman (Kate) round out the group with strong vocals, precision movement and seamless ensemble awareness.
Together, the children execute complex choreography with impressive precision while maintaining distinct individual personalities. Their performance of “You’re Never Fully Dressed Without a Smile” brought the show to a joyful standstill, earning an extended, thunderous round of applause — one of the loudest and longest cheers of the night.
Sandy, Annie’s loyal canine companion, proved to be an instant crowd favourite. The beautifully trained dog drew delighted laughter and audible “awws” with every entrance, adding an extra layer of warmth and charm to the production.
Annie at QPAC is more than a revival — it’s a heartfelt reminder of theatre’s power to uplift, connect and delight. With standout performances across generations, show-stopping musical numbers and an atmosphere filled with applause and joy, this production is a must-see for families and theatre lovers alike. The sun will come out tomorrow — and at QPAC, it’s shining bright.
TICKETS
Now Playing at the Lyric Theatre, QPAC
Until 31 January
All images Supplied.
The Fame Reporter 