Brisbane’s Lyric Theatre roared to life on opening night as Jesus Christ Superstar made its triumphant return, met with a thrilling and well-deserved standing ovation. This modern rock-opera revival delivered an unforgettable experience — a visual and vocal feast for all the senses — leaving audience members of all ages breathless, particularly those who’ve spun the original record on repeat for decades, finally seeing it brought to life before their eyes.
The production’s bold modernization was evident in its edgy rock ‘n’ roll aesthetic, stunning costuming, and striking, minimalist set, all of which spoke to the timelessness of the story.
Michael Paynter brought quiet strength and vulnerability to Jesus, delivering killer vocals that soared with both power and sensitivity. His ability to convey anguish and grace through every note made his performance deeply moving — especially as he sparkled during his half-naked crucifixion in one of the most striking images of the evening.
Javon King as Judas delivered a ferocious, magnetic performance, with impeccable vocal control and an emotional intensity that commanded the stage. His anguished, electrifying portrayal was a clear standout of the night, earning audible gasps and cheers from the audience. The symbolic streaks of silver painted on Judas’s hands added a poignant and chilling layer to his portrayal — a subtle but powerful touch.
Mahalia Barnes infused Mary Magdalene with warmth and melancholy, her rich, soulful vocals bringing depth and tenderness to her ballads. Peter Murphy as Pilate was equal parts menace and grace, while Reuben Kaye’s King Herod stole his scene with darkly comedic flair and a commanding presence that lit up the stage.
John O’Hara gave a slick and compelling performance as Annas, while Elliot Baker brought a commanding gravitas and deep, resonant vocals to his role as Caiaphas, making their scenes together truly memorable.
The ensemble was nothing short of extraordinary — the heartbeat of the show — with stunning, nuanced choreography that was sharp, modern, and emotionally resonant. Their movements painted the chaos, devotion, and tragedy of the story in ways that words never could, elevating the rock score with every beat.
The immensely talented group of artists comprising the ensemble and swings — Joshua Dormor, Darcey Eagle, Brittany Ford, Josh Gates, Samuel Harmon, Melanie Hawkins, Marie Ikonomou, Graeme Isaako, Ethan Jones, Tana Laga’aia, Bella Massey, Danielle Matthews, Calista Nelmes, Gus Noakes, Stellar Perry, Nathan Pinnell, Clay Roberts, Henry Rollo, Josh Spiniello, Bree Tipoki, Jordan Tomljenovic, and Nic Van Lits — brought electrifying energy, razor-sharp precision, and emotional depth to every moment on stage. Their collective work was nothing short of breathtaking.
This production, performed entirely without dialogue, is a tour-de-force of emotion and artistry, proving how powerful theatre can be when told through music, movement, and sheer talent. For many in the audience — especially the older generation — it was more than just a show; it was a profound connection to a story and score they’ve cherished for decades.
Come see this show for its rock ‘n’ roll energy, its dazzling visuals, and the remarkable talent that fills the stage. Jesus Christ Superstar at QPAC is nothing less than spectacular — a dazzling resurrection of a classic.
TICKETS
Now playing at Lyric Theatre, QPAC until 10 August
All images Jeff Busby
The Fame Reporter 