
The Gold Coast comedy scene burst to life with the opening night gala of the GC Laughs Festival held at the vibrant HOTA – Home of the Arts. With a buzzing crowd ready for a night of laughter, the gala served as the perfect curtain-raiser for the ten-day festival running from 13–22 March, offering a lively snapshot of the comedic talent audiences can expect across the program.
Guiding the evening was Queensland favourite Mel Buttle, whose quick-fire wit and effortless rapport with the audience made her the ideal host. Buttle kept the energy flowing between acts with her trademark blend of self-aware humour and cheeky observations, ensuring the night moved along at a brisk, laughter-filled pace.
The gala format allowed audiences to sample a variety of comedic voices, each bringing a distinct style to the stage. Local talent Craig Quartermaine was warmly received, leaning into relatable everyday experiences and delivering them with relaxed confidence that resonated with the hometown crowd.

South African comedian Dusty Rich followed with an energetic set that mixed quick punchlines with animated storytelling and improvision. His playful engagement with the audience added a spontaneous feel to the evening and kept the laughter rolling.
One of Australia’s most beloved stand-ups, Lizzy Hoo, brought a polished and insightful routine that blended cultural commentary with personal anecdotes. Her sharp timing and natural stage presence made her a clear audience favourite.
Meanwhile, Nick Capper embraced the unexpected, delivering a delightfully awkward brand of humour that thrives on unpredictability. His unique comedic rhythm kept the audience guessing—and laughing.
International flavour continued with Takashi Wakasugi, whose observations about life between cultures landed with refreshing originality. His clever takes on Australian habits drew big laughs while adding a distinctive perspective to the lineup.
Closing the evening was the unmistakably unique Zoe Coombs Marr. Known for her singular stage persona and dry, cerebral humour, she delivered a set that was as clever as it was unexpected, rounding out the night on a high note.
What made the gala particularly effective was the range of comedic voices on display. Each performer offered a different flavour of humour—from observational storytelling to offbeat character work—giving the audience a lively preview of the festival’s broader lineup.
As opening nights go, the GC Laughs Festival Gala delivered exactly what it promised: a packed room, a steady stream of punchlines, and a reminder that comedy thrives when diverse voices share the stage. Judging by the enthusiastic response inside HOTA – Home of the Arts, the festival has launched with momentum—and plenty more laughs still to come.
TICKETS
Now playing until 13-22 March
HOTA (Home of the Arts)
All images supplied.
