Brisbane’s Lyric Theatre at QPAC has ignited with the arrival of Tina: The Tina Turner Musical, a production that encapsulates the indomitable spirit and tumultuous journey of rock ‘n’ roll’s ultimate queen. Directed with fervor and finesse, this Broadway and West End sensation brings Tina Turner’s life to vivid, heartfelt life, resonating deeply with its audience.
At the heart of this fire-cracking production is Ruva Ngwenya’s powerhouse portrayal of Tina Turner. Ngwenya deftly navigates the highs and lows of Turner’s life, from her humble beginnings as Anna-Mae to her turbulent relationship with Ike Turner, portrayed with magnetic malevolence by Giovanni Adams. Adams channels Ike’s complexity, delivering a performance that chillingly underscores the abuse and strife that marked Tina’s early career.
Deni Gordon as Gran and Ibinabo Jack as Zelma anchor the narrative with profound emotional weight. Gordon’s portrayal of Gran, Tina’s steadfast caretaker, and Jack’s embodiment of Zelma, Tina’s conflicted mother, add layers of depth and empathy to the storyline. Their performances resonate long after the curtains fall, capturing the essence of familial bonds amidst adversity.
Jayme-Lee Hanekom brings vibrant energy and sass to the role of Aline Bullock/Ikette, Tina’s sister who adds a touch of humor and camaraderie. Hanekom’s portrayal illuminates Aline’s resilience and wit, portraying a character who lived with her mother while Tina was raised by their grandmother—a dynamic that shapes their relationship.
Augie Tchantcho commands the stage with fiery intensity as Richard Bullock, Tina’s father and a preacher whose belief in Anna-Mae’s vocal talent contrasts sharply with his abandonment of her. Tchantcho’s performance delves into Richard’s complex emotions, revealing layers of anger and regret that underscore Tina’s upbringing.
Rhonda Graam, played by Nadia Komazec, adds another layer to the story as Tina’s manager during her years with Ike. Komazec’s portrayal captures Graam’s supportive and encouraging nature, providing a lovable, gracious presence on stage that highlights her vital role in Tina’s life, especially during the transition period when Tina left Ike.
Roger Davies, portrayed by Mat Verevis, brings a touch of humor and charm to the production. As Tina’s Australian manager in the UK, Davies was instrumental in shaping Tina’s solo career. Verevis’s comedic thick Aussie accent was a hit with the audience, adding an entertaining dynamic to the storyline and showcasing Davies’s significant impact on Tina’s rise to solo stardom.
Rishab Kern delivers a poignant portrayal as Raymond Hill, Tina’s first love encountered during her time with Ike’s band. Kern’s performance captures the fleeting romance and emotional turmoil of their relationship, adding depth to Tina’s personal journey. Erwin Bach, portrayed with comedic charm and gentle soul by Matthew Prime, emerges as Tina’s later husband and love interest upon her arrival in London. Prime’s portrayal highlights Bach’s supportive role in Tina’s life, offering a counterbalance to the darker chapters of her past.
Samara Wheeler and Liannah Sibanda shine as the young versions of Tina and Aline, respectively. Wheeler’s portrayal of Young Anna-Mae showcases her killer voice and acting ability, while Sibanda’s depiction of Young Aline poignantly conveys the emotional turmoil and hurt faced by Tina’s sister. Their performances provide a compelling backdrop to Tina’s early years, adding emotional depth and resonance to the narrative.
The ensemble cast, including standout performances by the hilarious John O’Hara as Phil Spector/Terry Britten, Blake Erickson as Carpenter/Martyn Ware, and up-beat Emily Nkomo, Rebecca Selley, and Tigist Strode as the Ikettes, elevates the production with their dynamic presence and harmonious performances.
Jenni Little as Toni, David Mairs-McKenzie as Craig, and Abu Kebe as Ronnie add layers of depth and authenticity to the ensemble, while Kristin Paulse and the ensemble members contribute to the production’s vibrant energy. Special mention must be made of the amazing Swing performers who contribute to the production’s seamless transitions and energetic dance numbers when cast members are unable to perform.
The technical aspects of the production are equally impressive. The costumes, particularly Tina’s iconic outfits, are meticulously detailed and era-appropriate, enhancing the visual spectacle of the show. The set design, with its innovative use of projection and lighting, effectively conveys the emotional beats of Tina’s story, while the stage turntable seamlessly transitions between scenes, propelling the narrative forward with fluidity and grace.
Underpinning the entire production is Tina Turner’s unmistakable music, from classics like “Simply the Best,” “Nutbush City Limits,” “Proud Mary,” and “What’s Love Got to Do with It”. These timeless hits are woven into the fabric of the story, underscoring pivotal moments and culminating in a climactic dance party that had the audience on their feet.
Tina: The Tina Turner Musical at QPAC is a tour de force, a testament to Tina Turner’s enduring legacy and resilience. It’s a production that blends heartfelt storytelling, fierce performances, and the unstoppable spirit of female empowerment. Ngwenya’s transformation into Tina, complete with electrifying dance moves and vocal prowess, is a standout achievement that pays homage to the iconic rock legend while forging its own path.
For anyone seeking an unforgettable night at the theater, Tina: The Tina Turner Musical promises not only entertainment but also inspiration—a celebration of triumph over adversity that resonates long after the final bow.
TICKETS
Now playing at Lyric Theatre, QPAC
All images supplied.
The Fame Reporter 